Hello everyone! My name is
Alexia and i’m a new intern here at CIDA. I’m getting my MA in Creative Cities
as King’s – a programme that combines not just courses on the Creative and
Cultural Industries but also cultural policy, geography, and urban development.
I came here from America after studying glassmaking and photography to learn
how to provide more creative opportunities to excluded and marginalised people
and have always wanted to bring more installation and experience-based art into
smaller cities and rural areas.
I’m so happy to be interning
for CIDA because their organisation essentially encompasses my reason for
coming to England. As an artist, much of my work also seeks to do the same. Through art
and creativity, I want to help others overcome the difficulties of imagining
other people and allow my audience to experience thought outside of themselves.
Personally, I think that art isn’t just about aesthetics or objects- it’s about
experiences and communicating as society in a new way. And I want more let more
people have their voices heard.
The weekend before I started
this internship I was fortunate enough to visit the Venice Biennale and was
thoroughly overwhelmed and inspired. For those of you that don’t know, many
countries at the Biennale have their own pavilions to showcase the best art
being produced from their nation- perhaps it’s easier to think about as the art
Olympics? Anyway, what I saw at the Japanese pavilion I will never forget. It
was almost meta- in a way; it did everything I want to do while examining art and what it can do in the bigger
narrative of ‘how can art realistically bring people together?’ ‘How can it
contribute after the tsunami?’
The exhibiting artist, KokiTanaka, responded to these questions by examining collaboration, shared experiences
in microcommunities, creation and problem solving. His work was so simple and
moving: all he did was ask people to come together to do something together,
make something together, or experience something together. The art itself was
the event, and the videos playing all around the pavilion were artefacts.
[from Koki Tanaka's piece at the Biennale x] |
For example, he had nine
different people collaborate on the haircut of one woman, each taking their
turn on her hair and getting everyone’s opinion. Similarly, a group of people
went on an urban expedition with flashlights, another group collaborated on
pottery, on poetry, on a piano piece. A group of people took a nap together
with all of their heads facing eachother to try to dream collectively, and then
constructed the narrative of a story when they woke up together. I thought the
most poetic was when each person brought their favourite tea and put it all in
one teapot and drank from it, sharing and uniting bits of the world in a single,
communal act.
[source] |
You can learn more about the
project here
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