On Thursday 4 July, part of the CIDA team,
as four casual visitors wandered around East London. We finally decided to pay
our attention to Brick Lane which represents a good case for the
ungovernability of creative practises and cultural production.
In general, the name Brick Lane, this inner-city area has been functioned as an international brand characterised by micro-enterprises and self-employed entrepreneurs involved in small retail, leisure and creative businesses.
Particularly as in the rest of the UK, Brick lane is called as ‘curry capital’. The ‘Indian’ restaurants are generally owned by Bangladeshi. According to Carey (2004), Brick Lane’s Indian restaurants are not isolated. In fact, many of them were hugely influenced by the success of ‘upmarket’ restaurant such as Cafe Spice in Soho and West End London.
More precisely, the creative and cultural sectors such as galleries, bookshop, theme cafe, independent music &fashion retailers are dominated in this neighbourhood. Compare with the fashion retailers in oxford circus, their organisation is better described as networked especially more intense interaction among producers, consumers and niche innovators rather than dominated by firms. Particularly I drew my focus on brick lane gallery and an independent record store called Rough Trade.
I
do love going to contemporary galleries especially discovering fresh art
pieces. When I came across the brick lane gallery, I found the gallery itself
has a specific aesthetic. I sketch them as mixed modern mediums with a dash of
pop art. After doing a little bit research and chatting with the invigilator,
the main function of this gallery is about grassroots artists could send in
their portfolio, and if chosen can pay various amount (quite depends)to exhibit
and sell their work here. After reviewing several pieces of art, each holds a
special story from the artists past, which has influenced them enough to make
an everlasting impression. I could really
feel these artists’ true feeling. They seem to shout: ‘I am the master of my
tastes and feelings, I only paint like I live!’
Yeah!
We can’t 100% rely on internet and be in our bedrooms 24 hours a day. Moving your ass and take a breath to see what is the real music life!
Critical thinking!
Apart from the success aspects of Brick
Lane, it is important to note that despite this influx of capital, people and
creative idea from elsewhere, Brick lane remains an extremely poor area,
dominated by social housing and a reliant on state and their sector
support. Organisations like the East
London Business Association keen to support training, mentoring and small
business growth. The interesting thing is the diversity of Brick Lane is one of
its best selling point! The mixture involves ethnic, social class,
communities. Lastly, I do hope the
creative policy issued by the UK government could adopt more strategies to let
brick lane become a more sustainable and unique creative cluster.
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